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Philharmonia Orchestra Pilots VR Percussion Experience in Schools

Philharmonia Orchestra piloted a VR experience letting Year 7 pupils play percussion with the orchestra in 13 schools.

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The Philharmonia Orchestra has produced Virtual Orchestra: William Tell, an interactive virtual reality experience that puts young people inside the orchestra to perform Rossini's overture. It was made primarily for education, so that schoolchildren can reach the orchestra's resources without the orchestra having to visit every school. A Year 7 pilot has already been run in schools in Leicestershire, Derbyshire and Lincolnshire.

Participants wear VR headsets and start in a virtual rehearsal studio, where they learn core musical skills. They then step onto the stage of a packed concert hall and join the percussion section to play with the orchestra. A curriculum-linked programme for Key Stage 3, with resources and CPD support for teachers, accompanies the headset experience.

How it was made

The live performance was filmed with an array of Meta series 3D 360 cameras at 12.5k resolution. Audio was recorded and mixed with object-based spatial audio techniques and converted to higher-order Ambisonics, to render the acoustic depth and geometry of the performance space. The Philharmonia describes the work as R&D carried out with percussionist Tom Edwards, Meta Camera and Schallgeber. Sound Connections is working with the orchestra on research around the experience.

The schools pilot

The pilot ran earlier in 2026 with a Year 7 cohort from schools across Leicestershire, Derbyshire and Lincolnshire, areas where 75% of children have never attended a classical concert. The Philharmonia's own account counts 13 schools; The Violin Channel reports 12.

Reported figures from the pilot:

  • 428 Year 7 children took part.
  • 96% said they were now likely to attend a concert as a result of the programme.
  • 60% said they felt inspired to learn an instrument.

These are self-reported responses from pupils, not independently measured outcomes.

Funding

An Innovate UK/DCMS Create Growth Programme grant of £99,284 enabled the R&D and the pilot. The Philharmonia was among 272 recipients of the programme in 2025, and the David and Elaine Potter Foundation gave additional support.

Quotes

“We thought, we can’t possibly take our orchestra into all the schools in the country.”

“We wanted it to be something that’s actually useful, where you pick up a few skills that are transferable to the real thing.”

“For over a decade, the Philharmonia Orchestra has pioneered immersive musical experiences, and Virtual Orchestra: William Tell takes that work into a new phase where we ask audiences to participate rather than observe. For the first time in our VR work, users can take up a virtual instrument, develop skills through guided practice, and perform with the orchestra onstage, among the musicians, in concert. Through R&D collaboration with percussionist Tom Edwards, Meta Camera and Schallgeber, we have developed new ways to connect artists and audiences, reducing barriers to engagement and making cultural spaces more welcoming to participants.”

“It’s really exciting to be involved in this groundbreaking new project, embracing state of the art technology to give children a truly unique and fun educational experience, and a rare opportunity for us to place them in the very centre of the Philharmonia Orchestra in action. Music education has so many benefits for young children and this VR platform is a hugely valuable learning tool, allowing them to engage with and take part in the orchestra in an entirely new, exciting and immersive way.”

“As frontrunners in the use of innovation and technology in classical music, I am delighted that we have been able to create this monumental educational product that will change the landscape of music education for young people. To create an interactive, engaging way of getting to know the orchestra, enhance methods of learning practical musical skills, and showcase the artistic brilliance of our musicians, brings together the core values and goals of the Philharmonia. We are hugely grateful and honoured to have received funding from DCMS to produce Virtual Orchestra: William Tell, and I can’t wait to see this rolled out in schools across the country.”

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