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Canada
Culture & Heritage

War Up Close VR exhibition brings 360° views of Ukraine's war to Kelowna

A free one-day showcase at the Rotary Centre for the Arts pairs headset tours of bombed Ukrainian cities with paintings by displaced children.

Trin

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A child seated at a table wears a white VR headset branded 'War Up Close', with two white hand controllers on the table in front
Photo: VR Museum of War in Ukraine

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Background

As Ukraine marks its 35th year of independence, the touring War Up Close virtual reality museum arrives in Kelowna, British Columbia. The project, run by the VR Museum of War in Ukraine, has been capturing the destruction caused by Russia's invasion in 360-degree panoramic photography since 2022, and has previously exhibited across North America and Europe.

The Kelowna exhibition

The exhibition runs for a single day, 22 August 2026, at the Rotary Centre for the Arts, from 11 a.m. to 4 p.m. Admission is free, with visitors encouraged to donate towards the continued touring of the exhibition.

What visitors see

Seated visitors put on standalone VR headsets and are placed inside real locations across Ukraine, surrounded by destroyed homes, streets and cities. The material combines 360-degree panoramic stills with drone footage of damaged schools, museums and hospitals. Organisers stress that the imagery deliberately excludes bodies and blood, and that it is presented as factual visual evidence rather than artistic interpretation — recorded so that the destruction can later support accountability for crimes against civilians. Alongside the headsets, aerial footage is projected at large scale for visitors waiting their turn.

The Children's Art Showcase

The VR museum is shown with the Sunflower Dreams Project, a display of artwork by children displaced from Eastern and Southern Ukraine who now live as refugees in Lviv. The programme was inspired by Nataliia Pavliuk, an art lecturer at Lviv Polytechnic University, and her daughter Yustyna, as a way of helping traumatised children process loss through making art. The paintings are exhibited on easels among the VR stations.

Capture and delivery

The exhibition is delivered on standalone consumer VR headsets liveried with the project's own branding, with one visitor per headset. The 360-degree material is captured in the field by the museum's own photographers; co-founder Mykola Omelchenko, one of the project's lead documentarians, has worked with professional-grade panoramic equipment including the Insta360 Titan.

Quotes

Our photos do not depict dead bodies or blood. Instead, panoramic images and drone footage capture the destruction of cities, schools, museums, and hospitals – clear evidence of crimes against the Ukrainian people. We create an immersive atmosphere at our exhibitions, and every time, there are visitors who stay with us for hours. They say it feels as if they're actually in Ukraine.

These materials document the reality of war and preserve proof of the crimes committed against civilians. They are created so the world can see, understand, and ultimately ensure accountability. One day, they will serve justice.

After four years, some of the children have only known the bombing and the fear of this atrocity of a war. Many are traumatized. But their paintings are astonishing: filled with resilience, hope, and love.

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